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المالوف والأنماط الموسيقية التقليدية - تاريخ المراجعة
2026-07-22T22:07:56Z
تاريخ التعديل لهذه الصفحة في الويكي
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Bhikma في 08:23، 7 مارس 2017
2017-03-07T08:23:57Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 08:23، 7 مارس 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l42" >سطر 42:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>فمما لا شك فيه أن تلكم الزوايا وفرق الانشاد الطرقي شكلت مدارس أدبية وفنية لصيانة الكنانيش والمناقب وسفن المالوف ورصيد مآثرنا التراثية.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>فمما لا شك فيه أن تلكم الزوايا وفرق الانشاد الطرقي شكلت مدارس أدبية وفنية لصيانة الكنانيش والمناقب وسفن المالوف ورصيد مآثرنا التراثية.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==ببليوغرافيا==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==ببليوغرافيا==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* بوذينة محمد، موسيقى <del class="diffchange diffchange-inline">المالوف،دار </del>بوذينة للنشر، الحمامات تونس، 1995.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* بوذينة محمد، <ins class="diffchange diffchange-inline">'''</ins>موسيقى <ins class="diffchange diffchange-inline">المالوف'''،دار </ins>بوذينة للنشر، الحمامات تونس، 1995.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* زغندة <del class="diffchange diffchange-inline">فتحي،الموسيقى </del>النحاسية <del class="diffchange diffchange-inline">بتونس،السفر </del>العاشر، وزارة الثقافة التونسية، دت.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* زغندة <ins class="diffchange diffchange-inline">فتحي،'''الموسيقى </ins>النحاسية <ins class="diffchange diffchange-inline">بتونس'''،السفر </ins>العاشر، وزارة الثقافة التونسية، دت.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* ابن عبد ربه الفداوي، سفاين المالوف <del class="diffchange diffchange-inline">التونسي، </del>الدار العربية للكتاب، 1998.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* ابن عبد ربه الفداوي، <ins class="diffchange diffchange-inline">'''</ins>سفاين المالوف <ins class="diffchange diffchange-inline">التونسي'''، </ins>الدار العربية للكتاب، 1998.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*عزونة جلول، في الموسيقى <del class="diffchange diffchange-inline">التونسية، </del>دار سحر للنشر، مطبعة الوفاء، تونس، 1999.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*عزونة جلول، <ins class="diffchange diffchange-inline">'''</ins>في الموسيقى <ins class="diffchange diffchange-inline">التونسية'''، </ins>دار سحر للنشر، مطبعة الوفاء، تونس، 1999.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*قطاط محمود،"التراث الموسيقي العربي المدرسة المغاربية الأندلسية"، مجمع الموسيقى العربية عمان،بغداد،2003.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*قطاط محمود،"التراث الموسيقي العربي المدرسة المغاربية الأندلسية"، مجمع الموسيقى العربية عمان،بغداد،2003.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Ben Aissa Naoufel ,Etude analytique de l’évolution du tba tunisien dans la première  moitie du XXe siècle, thèse de doctorat, université Paris IV,1997  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Ben Aissa Naoufel ,<ins class="diffchange diffchange-inline">'''</ins>Etude analytique de l’évolution du tba tunisien dans la première  moitie du XXe siècle<ins class="diffchange diffchange-inline">'''</ins>, thèse de doctorat, université Paris IV,1997  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Chelbi mustapha, Musique et société en Tunisie,Tunis,Salambo,1985</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Chelbi mustapha, <ins class="diffchange diffchange-inline">'''</ins>Musique et société en Tunisie<ins class="diffchange diffchange-inline">'''</ins>,Tunis,Salambo,1985</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Gouja Zouhir,Une tradition musicale de trans- afro-maghrebine:Stambali,Cahiers des arts et traditions populaires II,1996,pp71-99</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Gouja Zouhir,<ins class="diffchange diffchange-inline">"</ins>Une tradition musicale de trans- afro-maghrebine:Stambali<ins class="diffchange diffchange-inline">"</ins>,<ins class="diffchange diffchange-inline">'''''</ins>Cahiers des arts et traditions populaires<ins class="diffchange diffchange-inline">''''' ,</ins>II,1996,pp71-99</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Khemakhem Mohamed,La musique tunisienne traditionnelle:Structures et formes,thèse de 3e cycle,1974,universté Paris Sorbonne</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Khemakhem Mohamed,<ins class="diffchange diffchange-inline">'''</ins>La musique tunisienne traditionnelle:Structures et formes<ins class="diffchange diffchange-inline">'''</ins>,thèse de 3e cycle,1974,universté Paris Sorbonne</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Lejmi Hafed, Acculturation et survivance du malouf tunisien,DEA,Université Paris IV,Sorbonne,1990  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Lejmi Hafed, <ins class="diffchange diffchange-inline">'''</ins>Acculturation et survivance du malouf tunisien<ins class="diffchange diffchange-inline">'''</ins>,DEA,Université Paris IV,Sorbonne,1990  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,<ins class="diffchange diffchange-inline">'''</ins>Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université Paris VII,1990</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali<ins class="diffchange diffchange-inline">'''</ins>,mémoire,institut d’ethnologie,Université Paris VII,1990</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,<del class="diffchange diffchange-inline">Pars</del>,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,<ins class="diffchange diffchange-inline">"</ins>Notes sur les instruments traditionnels de musique populaire dans le sud tunisien<ins class="diffchange diffchange-inline">"</ins>,VIè Congres international des sciences anthropologiques et ethnologiques,<ins class="diffchange diffchange-inline">Paris</ins>,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,<ins class="diffchange diffchange-inline">'''</ins>interprétation du maluf tunisien<ins class="diffchange diffchange-inline">'''</ins>,tradition et innovation,DEA,Université Paris VI,1989</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,<ins class="diffchange diffchange-inline">'''</ins>Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique<ins class="diffchange diffchange-inline">'''</ins>,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol <ins class="diffchange diffchange-inline"> </ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des études Islamiques,1961,pp148-157 </del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*  Weiss Julien,<ins class="diffchange diffchange-inline">'''</ins>A L’écoute des traditions musicales,le malouf tunisien<ins class="diffchange diffchange-inline">'''</ins>,sans frontières 58,avril 1982  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*  Weiss Julien,A L’écoute des traditions musicales,le malouf tunisien,sans frontières 58,avril 1982  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Zghonda Fethi,<ins class="diffchange diffchange-inline">'''</ins>Anthologie du malouf,Musique arabo-andalouse<ins class="diffchange diffchange-inline">'''</ins>,(Nuba Al Dhil),Série Inédit  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Zghonda Fethi,Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Dhil),Série Inédit  </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Paris,MCM,1992</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Paris,MCM,1992</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Ramal),Série Inédit Paris,MCM,1992</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">'''</ins>Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Ramal)<ins class="diffchange diffchange-inline">'''</ins>,Série Inédit Paris,MCM,1992</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Asbahan),Série Inédit Paris,MCM,1993     </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">'''</ins>Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Asbahan)<ins class="diffchange diffchange-inline">'''</ins>,Série Inédit Paris,MCM,1993     </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al-'raq),Série Inédit Paris,MCM,1993  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">'''</ins>Anthologie du malouf,Musique arabo-andalouse,(Nuba Al-'raq)<ins class="diffchange diffchange-inline">'''</ins>,Série Inédit Paris,MCM,1993  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Sika),Série Inédit Paris,MCM,1994</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">'''</ins>Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Sika)<ins class="diffchange diffchange-inline">'''</ins>,Série Inédit Paris,MCM,1994</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=8460&oldid=prev
Bhikma في 13:43، 25 فبفري 2017
2017-02-25T13:43:11Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 13:43، 25 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l42" >سطر 42:</td>
<td colspan="2" class="diff-lineno">سطر 42:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>فمما لا شك فيه أن تلكم الزوايا وفرق الانشاد الطرقي شكلت مدارس أدبية وفنية لصيانة الكنانيش والمناقب وسفن المالوف ورصيد مآثرنا التراثية.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>فمما لا شك فيه أن تلكم الزوايا وفرق الانشاد الطرقي شكلت مدارس أدبية وفنية لصيانة الكنانيش والمناقب وسفن المالوف ورصيد مآثرنا التراثية.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==ببليوغرافيا==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==ببليوغرافيا==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* بوذينة محمد، موسيقى المالوف،دار بوذينة للنشر، الحمامات <del class="diffchange diffchange-inline">تونس،1995</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* بوذينة محمد، موسيقى المالوف،دار بوذينة للنشر، الحمامات <ins class="diffchange diffchange-inline">تونس، 1995</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* زغندة فتحي،الموسيقى النحاسية بتونس،السفر العاشر، وزارة الثقافة التونسية، دت.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* زغندة فتحي،الموسيقى النحاسية بتونس،السفر العاشر، وزارة الثقافة التونسية، دت.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ابن عبد ربه الفداوي، سفاين المالوف التونسي، الدار العربية للكتاب، 1998.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ابن عبد ربه الفداوي، سفاين المالوف التونسي، الدار العربية للكتاب، 1998.</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=8199&oldid=prev
Bhikma في 14:28، 21 فبفري 2017
2017-02-21T14:28:12Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 14:28، 21 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l67" >سطر 67:</td>
<td colspan="2" class="diff-lineno">سطر 67:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
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Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7418&oldid=prev
Bhikma في 18:33، 3 فبفري 2017
2017-02-03T18:33:34Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 18:33، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l62" >سطر 62:</td>
<td colspan="2" class="diff-lineno">سطر 62:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Paris,MCM,1992</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Paris,MCM,1992</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Ramal),Série Inédit Paris,MCM,1992</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Ramal),Série Inédit Paris,MCM,1992</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Asbahan),Série Inédit Paris,MCM,1993  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Asbahan),Série Inédit Paris,MCM,1993 <ins class="diffchange diffchange-inline">  </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al-'raq),Série Inédit Paris,MCM,1993  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al-'raq),Série Inédit Paris,MCM,1993  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Sika),Série Inédit Paris,MCM,1994</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Sika),Série Inédit Paris,MCM,1994</div></td></tr>
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Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7417&oldid=prev
Bhikma في 18:30، 3 فبفري 2017
2017-02-03T18:30:31Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 18:30، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l59" >سطر 59:</td>
<td colspan="2" class="diff-lineno">سطر 59:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des études Islamiques,1961,pp148-157  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des études Islamiques,1961,pp148-157  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*  Weiss Julien,A L’écoute des traditions musicales,le malouf tunisien,sans frontières 58,avril 1982  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*  Weiss Julien,A L’écoute des traditions musicales,le malouf tunisien,sans frontières 58,avril 1982  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Zghonda Fethi,Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Dhil),Série Inédit </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Paris,MCM,1992</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Ramal),Série Inédit Paris,MCM,1992</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Asbahan),Série Inédit Paris,MCM,1993 </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al-'raq),Série Inédit Paris,MCM,1993 </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Anthologie du malouf,Musique arabo-andalouse,(Nuba Al Sika),Série Inédit Paris,MCM,1994</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7411&oldid=prev
Bhikma في 17:39، 3 فبفري 2017
2017-02-03T17:39:10Z
<p></p>
<table class="diff diff-contentalign-right" data-mw="interface">
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<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;' lang='ar'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 17:39، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l57" >سطر 57:</td>
<td colspan="2" class="diff-lineno">سطر 57:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des <del class="diffchange diffchange-inline">etudes slamquesI</del>,1961,pp148-157  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des <ins class="diffchange diffchange-inline">études Islamiques</ins>,1961,pp148-157  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">  </del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">*  Weiss Julien,A L’écoute des traditions musicales,le malouf tunisien,sans frontières 58,avril 1982 </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7391&oldid=prev
Bhikma في 15:35، 3 فبفري 2017
2017-02-03T15:35:47Z
<p></p>
<table class="diff diff-contentalign-right" data-mw="interface">
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<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;' lang='ar'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 15:35، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l56" >سطر 56:</td>
<td colspan="2" class="diff-lineno">سطر 56:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol   </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">*Mourad Sakli,Folklore tunsen,Musque en plen ar,M'orchestre de Tab-bal et Zakkar,Revue des etudes slamquesI,1961,pp148-157 </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>    </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7386&oldid=prev
Bhikma في 15:07، 3 فبفري 2017
2017-02-03T15:07:14Z
<p></p>
<table class="diff diff-contentalign-right" data-mw="interface">
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;' lang='ar'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 15:07، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l55" >سطر 55:</td>
<td colspan="2" class="diff-lineno">سطر 55:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université Paris VII,1990</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université Paris VII,1990</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Salama Khaled,Maluf Al Jidd ou Kalam Al Jidd,le répertoire musical sérieux ou religieux en Tunisie,Etude analytique et approche sociologique,Thèse pour doctorat soutenue en 1998 devant l'université de Pars IV Sorbonne,2vol  </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
</table>
Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7379&oldid=prev
Bhikma في 14:07، 3 فبفري 2017
2017-02-03T14:07:12Z
<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 14:07، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l53" >سطر 53:</td>
<td colspan="2" class="diff-lineno">سطر 53:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Lejmi Hafed, Acculturation et survivance du malouf tunisien,DEA,Université Paris IV,Sorbonne,1990  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Lejmi Hafed, Acculturation et survivance du malouf tunisien,DEA,Université Paris IV,Sorbonne,1990  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université <del class="diffchange diffchange-inline">ParIs </del>VII,1990</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université <ins class="diffchange diffchange-inline">Paris </ins>VII,1990</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Sakli Mourad,interprétation du maluf tunisien,tradition et innovation,DEA,Université Paris VI,1989 </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
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Bhikma
http://www.mawsouaa.tn/w/index.php?title=%D8%A7%D9%84%D9%85%D8%A7%D9%84%D9%88%D9%81_%D9%88%D8%A7%D9%84%D8%A3%D9%86%D9%85%D8%A7%D8%B7_%D8%A7%D9%84%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%8A%D8%A9_%D8%A7%D9%84%D8%AA%D9%82%D9%84%D9%8A%D8%AF%D9%8A%D8%A9&diff=7372&oldid=prev
Bhikma: homme
2017-02-03T13:21:06Z
<p>homme</p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">→ مراجعة أقدم</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">مراجعة 13:21، 3 فبفري 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54" >سطر 54:</td>
<td colspan="2" class="diff-lineno">سطر 54:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Maarouf Nadir et Souhail Idris,Anthologie du chant Houzi el Arubi,éd El Ons Aris,2003</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université ParIs VII,1990</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Rahal Ahmed,Le stambali,mémoire,institut d’ethnologie,Université ParIs VII,1990</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Revault Jacques,Notes sur les instruments traditionnels de musique populaire dans le sud tunisien,VIè Congres international des sciences anthropologiques et ethnologiques,Pars,30 juillets-6 oaut 1960,Paris,Musée d'homme II,1964,pp113-120 </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسوعة التونسية]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الفن]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:الموسيقى]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[تصنيف:المالوف]]</div></td></tr>
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Bhikma